The good news is, the waveform editor is still very much alive on the Mac. (I do have a soft spot for Soundbooth it had some great ideas, but after an initial release seemed unsure of what its direction and audience were.)įor old time’s sake, here are the two most recent reviews in Macworld, written by me: Oh, yeah, and perhaps because it was so unsurprising as news, I missed the fact that Adobe killed its little-used, generally-disliked (ahem) Soundbooth editor at the end of April. (While not ever officially discontinued, Apple first moved Soundtrack Pro to the Logic suite, then quietly eliminated it entirely when Logic Studio moved to the App Store it can be considered “missing and presumed deceased.” Macromedia SoundEdit 16 can be traced back to the first popular tool in this category). Peak joins Apple’s own Soundtrack Pro and (arguably) WaveBurner and, once upon a time, Macromedia SoundEdit, along with tools like Digi’s Sound Designer II and TC Electronic’s Spark. The BIAS Authorization Manager Server is functioning for authorizing and de-authorizing BIAS products at this time.įollow these links to access the FAQ and updates areas of the BIAS site. We would like to thank all the BIAS customers and friends for the opportunity to have served the audio community for over 16 amazing years. BIAS’ site now redirects to a short message:īIAS, Inc. To that group, you can add perhaps the most famous and long-lasting Mac audio editor of them all: BIAS’ Peak. There do seem to be a lot of casualties of favorite Mac waveform editors over the years, however. Small music tool makers don’t always last forever, the victim of any number of circumstances that can cause them to fold. Remember me? Peak in its last release had a cleaner look, but I imagine something like this is what popped to mind when you heard Peak.
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